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The Great Pyramid of Giza
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Images of Mausoleum of Halicarnassus

"I have lying over me in Halicarnassus a gigantic monument such as no other dead person has, adorned in the finest way with statues of horses and men, carved most realistically from the best quality marble."

Maussolus, who refounded Halicarnassus (modern Bodrum), is the satrap of Caria. He made Halicarnassus his capital. It was a general practice in the Greek world to bestow the founder of the city with honor and appraisals and to build a tomb in his name on the central square of the new town and this happened with Maussolus as well. On his death in the year of 353 BC, Maussolus was succeeded by his wife Artemisia who invited the Greek artists to build a fitting tomb in the memory of her husband.



The result was one of the Seven Wonders of the Ancient World. The mausoleum was constructed of bricks and covered with white Proconnesian marble. The famous monument was copied on several occasions. It is generally believed that the structure of the tomb of Alexander the Great in Alexandria and the Belevi Mausoleum was inspired by "the mausoleum" (the building in Halicarnassus).
However, the splendidly built and historically significant structure offers a sorry site to its onlookers today. It was destroyed by the Rhodian knights in 1522 as a result of which stones of the monument can be found in the castle of Bodrum today. Inspired by the traditional Anatolian and Greek architecture (cf. the Monument of the Nereids in Xanthus), the famous architects Satyrus and Pytheos designed the Image of Mausoleum of Halicarnassus.

According to the Roman author Pliny the Elder, Scopas, Bryaxis, Timotheus, and Leochares are the four sculptors who were responsible for the decoration of the monument on the east, north, south, and west side. These sculptors made reliefs of a battle between Greek warriors and Amazons known as Amazonomachy. According to Pliny, on top of the monument was "a platform, crowned with a representation of a quadriga (four-horse chariot) by Pythis.

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